The Forest of Stone Steles in Xi'an is an art treasure-house with the
oldest and richest collection of steles in China. It is a classical courtyard
styled structure situated at the site of formal Confucian Temple in Sanxue
Street, xian, near the south gate of Xi'an City Wall. The museum covers an area
of more than 30,000 square meters. It is not only one of the centers of ancient
Chinese stone-engraving classics, but also the focus of the works of art of
celebrated calligraphers of past dynasties. The numerous standing steles
resemble a forest, hence the name ' Forest of Steles''. With a history of almost
900 years, it is an art gem renowned at home and abroad.
History
The Forest of Steles was initially established in AD 1087 when some
precious stone steles were moved here for safe keeping, including the 'Classic
on Filial Piety' written by Emperor Xuanzong in AD 745 and 'the Kaicheng Stone
Steles' arved in AD 837.
It is an enlargement to the Confucian Classics stone inscriptions in the
Tang Dynasty. the 'Classic on Filial Piety' ( stele engraved with the Canon of
Filial Piety) and the 'Kaicheng Stone Steles' ( steles engraved with the
Confucian Classics) of the Tang Dynasty were originally kept in the Imperial
Academy in Wu Ben District of Chang'an, the capital of the Tang Dynasty. ( in
the vicinity of the present Wen Yi Street, southern Xi'an). In 904 AD the
engraved Confucian Classics were moved inside the Wen Xuan Temple ( in the
vicinity of the present She Hui Street of Xi'an).Due to poor environment, in the
second year of Yuan You of the Song Dynasty, ( 1087 AD) on the suggestion of Lu
Dazhong, all the Confucian Classics and other valued Tang steles were moved to
the present site of the Forest of Steles under the auspices of Li Chi. Thus the
foundation of the Forest of Steles was initially laid.
With the successive collections of Steles in the Song, Jin, Yuan, Ming and
Qing dynasties, it was gradually renovated and expanded, making one feel among a
forest of steles. But it was not until 1992 that , it was officially named as
the Forest of Stone Steles Museum. Based on the design of Liang sicheng, China's
well-known architect, the Forest of Steles was extensively renovated in 1937,
and was completed in Feb. 1938, looking in the main the way it does today. With
an area of 31,000 square meters, the Forest of Stone Steles used to be the
principal museum for Shaanxi Province since 1944.
In March 1961, the State Council decreed that the Forest of Steles was
among the first group of national cultural relics to be given special
protection. Now it is an important part of the Shaanxi Provincial Museum. In
1982, the 7th Exhibition Hall of the Forest of Steles was established.
Collections of Steles have been increased from 667 in the Qing Dynasty to over
2,000 steles, of which over 1,000 are open to the public. Seven exhibition
halls, a pavilion covered with steles and six corridors for keeping epitaphs
form a complete architectural complex of a unique style, making the Forest of
Steles, a treasure trove of the art of calligraphy look all the more
magnificent.
Exhibition Halls
With 900 years of history, this treasure house holds a large collection of
the earliest stone steles of different periods, from the Han Dynasty to the Qing
Dynasty.The exhibition areas includes two sections: Forest of Steles and Stone
Sculpture. Forest of Steles house over 3,000 pieces of steles from the War
Kingdoms to Qing Dyasty time. The simple figure of the stone sculpture shows
vigorous strength.
The contents of the Forest Steles can be divided into four groups: works of
literature and philosophy, historical records, calligraphy and pictorial
stones.
All together, there are 3,000 steles and the museum is divided into seven
exhibitions halls.Hall one mainly displays 'the Kaicheng Stone Classics', which
contains twelve lections caved on 114 steles. The lections include 'the Book of
Changes', ' the Book of History' , 'the Book of Songs', 'the Analects of
Confucius' and some others of this kind. These are the must-read books for the
intellectuals of the feudal society. At that time the printing was under
development. In order to well preserve these lections, the rulers ordered to
engrave them on the stone steles.
Hall two mainly display The stone tablets written by the calligraphers
during the Tang Dynasty (618-907). It has the collection of the masterpieces of
the famous calligraphers, such as Ou Yangxun, Yan Zhenqing, Wang Xizhi and Liu
Gongquan. Nestorian Tablet is the most useful material for experts to study the
cultural exchanges between the Tang Dynasty and the other states.
Hall three houses the calligraphy-collection. Collections here are also of
high value for exploring Chinese calligraphy history.Chinese calligraphy has a
long history, and in general has evolved from the complex to the simple. It has
five basic script forms, namely: seal script, clerical script, regular script,
running script and cursive script. Through more than 5,000 years of creative
work various forms have constituted the abundant treasure and unique traditions
of Chinese calligraphy. For example, the Cao Quan Stele, written in Han clerical
script in the 2nd year of Zhongping ( 185 AD) in the Eastern Han Dynasty, is
famous for its elegant, ingenious and clear inscription, as well as its
completeness.The Tang Dynasty witnessed the prosperous period of our art of
calligraphy. Ouyang Xun, Yu Shinan,Zhu Suiliang, Yan Zhenqing and Liu Gongquan
developed their own distinctive styles of regular script, while Ouyang Tong, Xu
Hao, Shi Weize, Huai Su, Zhang Xu and Li Yangbing were celebrated calligraphers
of different script forms. The most distinguished Tang stele is 'the Preface to
the Holy Buddhist Scriptures' in the handwriting of Wang Xizhi, a famous Jin
calligrapher. The valuable poems and works of calligraphy of such famous
post-Tang calligraphers as Su Shi, Huang Tingjian, Mi Fei, Zhao Mengfu, Dong
Qichang and Zhu Yongming are also collected in the Forest of Steles. Through
these tablets, you could learn much about the evolvement of the Chinese
characters.
Hall four displays painting Stones engraved with historical records. The
portraits of Confucius and Bodhidarma and the allegorical pictures and texts
were written here.
In ancient times, the rulers of different dynasties preferred to build
temples and solidify the city wall. Some records of this form of Song, Yuan,
Ming and Qing dynasties engraved on the steles are preserved in Hall five. Hall
six exhibits the poetic inscriptions. Hall seven shows some of inscriptions left
by Emperors, noted ministers and well-reputed calligraphers of various
dynasties.
The Stone Sculpture Gallery was built in 1963, including mausoleum stone
sculpture and religious stone sculpture from Western Han Dynasty (206BC-24AD) to
Tang Dynasty. The famous exhibits are the six bas-reliefs, four of them
original, form the Zhaoling, the Mausoleum of Emperor Tang Taizong.A
reproduction of the horse from the tomb of ' Swift Cavalry General' Huo Qubing
also stands here.At the end of the gallery are some Buddhist statues, of which
the most famous is a very beautiful torso of a bodhisattva, showing strong
Indian influence from the Tang period. It is prized as a great treasure in the
art of world stone sculptures.